Beauty in the eye of the beholder

A visual deconstruction of Beauty and the Beast 2017 poster…

Fig 2. Beauty and the Beast dancing
Fig 1. Beauty and the Beast 2017

In order to deconstruct a picture we must first “read” (describe) what we see. Looking at Fig 1: you first notice the girl with the rose (Belle) that is lighter than the image of the beast and the castle in the background; beneath the two main figures you see the different characters surrounding the gate and a girl with candelabra exploring inside a building.

To determine the meaning we can now use the following questions to start our deconstruction: 1) will the meaning of the image change if the artist used different colours or elements? 2) Will the message remain the same if some of the codes (symbols/detail e.g. the rose) are removed or substituted with something else? 3) Will the message stay the same if we rearrange the symbols, e.g. switch Belle with the beast? 4) Will the meaning of the picture stay the same over time? 5) In what period are it set and how does it impact the meaning of the codes? 6) Are the picture universal or cultural specific? 7) What is the message of the picture?

After answering the above questions we may also determine what type of reading this is – in other words who are the specified receiver? Are the receivers interested in the message? Is the message received positively, or not? And why? Will different receivers interpret the message differently? Does the age of the receiver impact his/her ability to decode the message? What about the gender of the receiver? Thinking about these questions, did the meaning of the picture change?

Now let us answer the questions:
1) The overall colour scheme in Fig 1 is blue; changing the colour will definitely change our reading of the message since colour convey very specific meanings and help determine the overall mood of the image. In this case we may determine that the blue creates the mood suggesting coldness, isolation and lack of love. This cold blue is also used to contrast with the yellow of Belle’s dress and the warm light on her face suggesting that she has the ability to love. That is further emphasized by her holding the red rose – universally accepted symbol for love. But red can also symbolize aggression and the subtle use of Gustav’s red coat illustrates his aggressive nature. Using mostly primary colour scheme gives the picture a sense of stability.

2) Changing one code can change the whole message, for example, changing the rose to a white lily will suggest the girl’s innocence and perhaps give her the appearance of being aloof. Changing Gustav’s coat to orange for instance will change the meaning from aggressive hunter to flamboyant generous gentleman. And what if we just remove some “unnecessary” elements like the teapot, cup and the clock? Well then the film advertised here may be an altogether different story about a girl in love that is stalked by a beast with the hunter being her rescuer and hero.

3) If we rearrange the elements in the picture the meaning will change, e.g. if Belle is looking at the beast, then the receiver may feel he/she does not need to go to the movie since it is already obvious that Belle loves the beast. You may wonder why they decided on this option in Fig 2. in this example, none of the other characters is shown leaving the viewer to wonder if they start out happy or end happy?

4) Since these codes are arranged very specifically and with defined meanings the message will probably stay the same, since it is unlikely the meaning of the rose for example will change.

5) The hairstyles and fashion in the picture gives the clues as to the period within which it is set, namely French Rococo – an age known for frivolous romantic notions. The playful nature of some of the characters like the candelabra and clock comes to mind here. Thus the use of this particular period faintly hints at the playfulness of these characters and the underlying love theme of the movie.

6) Set within a very westernize setting the universal themes of the story makes it accessible to most audiences. The story itself can be found in different cultures around the world. A few examples of Vintage illustrations of Beauty and the Beast:

Beauty and the Beast by Edward Corbould
Beauty and the Beast by A L Bowley
Beauty and the Beast by Edmund Dulac

7) Belle brings light (enlightenment because she reads a lot she is not as narrow-minded as the rest of the town’s people and are therefor able to see past the exterior of the beast to the man he has become) into the dark castle and even darker heart of the beast – the girl with the candelabra exploring the dark building. Belle with the rose but turned away from the beast – she has the compassion to love the beast, but she must still come to terms with her feelings before she can give the rose and her love to him. The beast is in shadows turned towards his castle – his only refuge. The surrounding characters is placed almost like a clock indirectly suggesting time and their individual roles played in the story.

Next time – types of readings (deconstructions) of visual messages.

A picture says a thousand words – An Introduction to Visual Communication

We all know the saying that “a picture says a thousand words” but what does it really mean?

Well nonverbal communication makes up more than 70% of our communication spectrum, leaving only a small part to verbal communication. Nonverbal communication in other words is all forms of communication without sound, including body language, text messages and pictures. When speaking to somebody it is the nonverbal signals that ensure that the message is correctly interpreted by giving the receiver of the message context and emphasis through movement of the hands for example that points to where the communicator wants to go.

Nonverbal communication is a language just as must as the spoken language, although it seems to be more universal it is still cultural specific in certain situations. For example, when you ask directions to a place hand signals pointing in the correct direction can transcend spoken language barriers but a symbol of a specific animal might have very different meanings in different context and cultures – a bull in South Africa can symbolize the rugby team but elsewhere be a religious icon.

It becomes even more complicated when one starts to put symbols together to form a message since the meaning of a single symbol may change when in juxtaposition with another symbol. To ensure that the message is clear nonverbal communicators must be very certain of the symbols meaning before using it in an advertisement or painting. Since the Middle Ages the use of pattern books gave strict rules and defined meanings to symbols that may be used in religious paintings, for example a white lily signified purity.

Working Title/Artist: Birth of Virgin Leaf
Department: Medieval Art
Culture/Period/Location:
HB/TOA Date Code:
Working Date: c. 1375
photographed by mma 1993, transperency #1A
scanned by film and media 8-20-01 (jn)

Example 1. Manuscript Illumination with the Birth of the Virgin, Don Silvestro de’ Gherarducci, Florence, ca. 1375 (Tempera, ink, and gold on parchment).

In this example the message of the picture is clearly the purity of the Virgin since her birth – being untouched by sin.

Next time…a deconstruction of a painting in order to examine the nonverbal codes that gives meaning to the message.

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